Bithues Reading Lab — Stories

Stories — Bithues Reading Lab

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Children's Fiction

Mabi

Children's Fiction

Mabi

~1,100 words · 5 min read

Lena was eleven months old, and she had never said a word.

This is the kind of fact about a baby that contains a whole world of worry. Lena watched everything. She turned toward voices. She laughed at faces. She grabbed at toes and spoons and the dog's tail with excellent coordination and complete focus. She did not say mama or dada or no or go or help or up. She said nothing at all.

Lily tried every trick she knew. She read books aloud with theatrical voices — mama duck saying "Waddle waddle," baby duck saying "Peep peep." She pointed at pictures and named them. Apple. Ball. Baby. Lena looked at each page with what appeared to be great interest and then looked up at Lily with an expression that was, simultaneously, both innocent and ancient — as if she understood perfectly what was being requested and had decided, with great internal deliberation, to decline.

The pediatrician said Lena was fine. Some children spoke early and some spoke late and all children eventually spoke, and there was no cause for concern until there was a cause for concern, and right now there was no cause. Lily nodded and made the appropriate sounds of reassurance and drove home and sat in the kitchen and felt worried anyway, because that is what parents do.

David tried flashcards. He laid them out on the living room floor during Lena's tummy time and pointed at each one with the determined energy of a man who believed that with enough repetition, any problem could be solved. Dog. Cat. Boat. Lena watched him with patient amusement, the way an adult watches a coworker attempt something unnecessarily complicated.

"What's this?" David said, tapping the card with a picture of a star. "Star. What's this? Star. Can you say star?"

Lena made a sound. It was not "star." It was not a word of any kind. David celebrated it anyway, because that is also what parents do.

Nana arrived on a Tuesday, with a small rolling suitcase and a calm that seemed to come from somewhere far away and long ago. She had flown in from the islands — had crossed an ocean and a continent and several time zones to get here, to this house, to this baby, to this room where everyone had been trying so hard to make something happen.

Nana did not try. Nana sat.

She sat in the rocking chair in the living room and held Lena against her chest and rocked, slowly, and looked out the window at the yard where the light was doing what light does in the late afternoon, which is to make everything look like it is being remembered rather than seen. Lena settled against her in a way she did not settle against anyone else — not with the squirmy impatience of a baby who wants to be doing something, but with the full-body stillness of a baby who has found exactly where she needs to be.

Lily wanted to explain. She wanted to say: Nana, we have been trying to get her to talk. We have been reading and pointing and naming. We have exhausted the flash cards and the books and the songs. Lena is not speaking. Is there anything you can do?

But Lily looked at her mother-in-law's face — at the quiet, undemanding attention of it — and she did not say any of this. She understood, without being able to articulate why, that what was happening in that room was something different from what had been happening in that room for the past several months. Something was being offered that had nothing to do with language, or education, or the will to produce a word.

That evening, after dinner, Nana sat in the glider in Lena's room while the house grew quiet around them. The others were in the living room, the television on at low volume, the day settling into its final hours. Nana began to sing.

It was not a song from a book or a show or a streaming service. It was a song that Nana's mother had sung to her, in a language that Nana had not spoken aloud in decades — a language of islands and ocean crossings, of things passed down through bodies rather than dictionaries. The melody was simple, a lullaby, the kind that doesn't try to teach you anything but instead tries to remind you of something you already know.

Lena turned.

Not the usual turning — not the reflexive head-turn of a baby responding to sound. This was a turning that came from somewhere deeper, a realignment, as if the whole small body had been pointed in a new direction and was now facing it.

Nana sang. The words were old, so old that no one living could have told you their meaning, but the melody carried something that needed no translation: the feeling of being held, of being kept, of being somewhere you belong. Nana sang to the baby and the baby listened with an attention that had nothing to do with learning and everything to do with recognition.

Lena's hand, the one that had never reached for anything, rose slowly off the blanket. It moved through the air with the deliberate quality of a thing that knows exactly where it is going. It came to rest on Nana's lips, the way a hand comes to rest on something that is vibrating, something that is alive and present and undeniable.

Nana sang the last line of the song. She paused. She touched Lena's cheek with one gentle finger.

And Lena said her first word.

It was not mama or dada. It was not ball or dog or star or no. It was a sound that did not exist in English, a small and perfect sound that had been waiting, apparently, in a place beneath language, in the deep grammar that every human being carries but that most human beings spend their whole lives never quite reaching.

"Mabi," Lena said. Clearly. Deliberately. With the full authority of someone who has been listening all along and has finally found the word that was hers to say.

Nana's eyes filled with tears, which was embarrassing for everyone but also completely unavoidable. She said, "Oh, little one," in a voice that was not English either, and she held Lena against her and closed her eyes, and for a moment the room was so full of something unnameable that no one could have said what it was, only that it was there, and that it was enough.

Lily had come to the doorway without either of them noticing. She was standing there with her hand on the frame and her heart doing something it had never done before, which was to break open in a way that felt like coming home.

"What did she say?" Lily asked, quietly.

Nana looked up. She wiped her eyes with the back of her hand.

"It's a word from my mother's language," Nana said. "It means — " She paused, trying to find the English. "It means 'come home.' But that's not quite right. It's more like — you know when you come in from the cold and you stand by the fire and someone hands you something warm and you think: yes. This. I was waiting for this. That feeling."

"That's what it means," Lily said.

"That's what it means," Nana said.

Lily crossed the room and sat on the arm of the glider and put her hand on Lena's back and felt the baby breathing, slowly, the way she breathed when she was asleep but was not asleep — was just very, very present. Nana began to sing again, softly, and the word hung in the air between them, not demanding anything, just being true.

"She was listening," Lily said.

"She was always listening," Nana said. "She was just waiting for the right thing to listen to."

The house was quiet. The television in the other room went silent. Outside, the last of the light was leaving the yard, and inside the room the three of them sat together — the grandmother who had crossed an ocean, the mother who had not left the house in days, the baby who had been saying nothing and had finally said something that contained more than any of them knew how to hold.

Lena's hand was still on Nana's lips. She left it there, and closed her eyes, and listened to the song continue — word after word, in a language she would not speak but would somehow know, because some things are not taught. Some things are caught. Some things pass from one body to another through the simple, ancient act of being present, of staying in the room, of singing softly to someone who is listening even when they seem to be doing nothing at all.

Outside, the world went on. Inside, for one perfect moment, it stopped — and in the stopping, found what it had been looking for all along.

If You Liked "Mabi"...

Try: Little Mike: Fun at the Beach by Michael Jr — Belonging, family, and a day at the beach

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